In fact, the presence of literary source of the film allows the author to go two ways: to make custom movies, which after the anniversary date was destined to be lost in the TV channel “Star” or with due diligence and courtesy to approach the creation of a good movie, not forgetting a certain percentage of regard for the film, which is an adult the audience still remembers almost by heart. By choosing the second method, the creators have saved yourself a lot of claims. In fact, they do not have to make excuses. Moreover, the picture is technically done quite differently without voynushek Hollywood, but with the presence of the visual solutions that are capable of to attract a new audience eternal story. And that is – one of the main objectives in our day no doubt.
Davletyarov, the producer whose experience is much larger (and sadly) the director, not only plans grab stars from the sky. He and those stars that ended up in the cast list, tries to steal the first plan. With Peter Fedorov is done, of course, is impossible: he got such a character that the periphery is not to hide, but he knows his stuff. And therefore plays an entirely new Fedota Vaskova what is important – closer to the literary image of 32-year-old man, who, though not agree to consider themselves old, still it becomes due to the extremely tragic circumstances. Including those which only tells us the voice of Sergei Garmash overs. In the employment picture, for example, Catherine Vilkova and Daria Moroz, but they are not physically manage namozolil eyes, to say nothing about Olga University, all lost in the two-hour timekeeping.
In the first team to do entirely without the celebrities did not work, but again, great to do: Agnes Kuznetsova make it impossible to drag the character in the usual depression, Christine Asmus also placed into unrecognizable frame. One of the main reasons to doubt before watching – namely Eugene Malakhov, which got serious role Zhenya Komelkova without demonstrates outstanding acting by virtue of the fact that can not. But at the proper level is kept very well, and only a small bust with pathos in the scene of the death of her character allows you to remember who it performs. The film is hardly distinguishable Anatoly White and absolutely ghostly Victor Proskurin – however, all of them are likely to provide more space in the extended TV version. It is, according to the will and the four-part will soon be on you know what channel.
Davletyarov using bison Russian case scenario of Yuri Korotkov is well-known story, almost without deviating to the side. Some writers have allowed themselves to liberty except in the interludes, describing the fate of the heroines to the famous clashes with German saboteurs. Much of the action takes place, as expected, on location. And here the creators of “The Dawns Here Are Quiet” squeezed out of Mother Nature maximum drawing the main visual difference from the black-and-white picture Rostotsky. The forest, of course, a few emasculated, and run through it quickly and easily, and in a waterfall can be removed more kind of like an erotic scene, but the main task is completed – a complete lack of hope to the aid of the characters felt and without words. Known since childhood story unfolds not quite as accustomed memory. In general, we obtain a new movie, and devoid of propaganda stuffing and inflated pathos and emissions.
The filmmakers, on the contrary, even a series of tragic deaths of several characters drawn casually, but this is clearly a thoughtful welcome. “The Dawns Here Are Quiet” in essence – just one page of a multi-volume epic, full of no less tragic and scary stories. We see not only the greatness of the idea or the scale of national heroism, we find abhorrent that knows no emotion mouth of the war, we see that for which general and have to shoot a war movie. The film is not without Davletyarova damn serials and other shortcomings, just as his protagonist – a sign of John Rambo, but he was clearly able to compete with the famous screen version, if it makes sense at all to compare these pictures. Courtesy to the work of those who told this story before, well worth it, and because of that the audience will not be disappointed. And be moved.