Among the wonderful kinotransformatsy this week – the transformation of a man into an ant in the Marvel comic book “Ant-Man”, the transformation of the French in the Japanese girl in the melodrama “Tokyo Bride” and conversion lousy advertising agent in her husband successful women in domestic thrash “Horoscope for luck».
«Ant-Man» (Ant-Man), filmed comedians Peyton Reed It produces a surprisingly good impression on the background of the main body of superhero blockbusters such as “The Avengers” and “X-Men”. Even a very attractive “Iron Man” is also, in general, it has become boring and looks quite predictable in their sociopathic and mizantropskih antics and “Ant-Man”, although sketched in general psychological terms, with “Spider-Man”, suddenly found a way to entertain Even jaded viewer “three 12+”. Perhaps one explanation is that, as opponents primarily grumble pictures – the authors are not too slow to let the ants on the screen (although in a wide variety of modifications will be no shortage), and allow themselves to spend enough time and humor to ensure that describe the characters of the main human characters: the recently leaning safecracker (Paul Rudd), a professor of the host of the next crack a safe (Michael Douglas), where there is nothing to grab except ant latex suit and a professor’s daughter (Evangeline Lilly), who sleeps and sees itself as This would suit have screwed something, but too expensive, caring father. The three so quickly finds common ground that her main background fades noticeably bald villain (Corey Stoll), who dreams wrap against humanity invented by Professor ability to reduce organic matter to the size of the atom. However, the main focus of “Ant-Man” is not so much horse riding on the ants and the rapid increase / decrease in the size of the hero, and the work of human thought, an effort that can be made to the ant do anything – for example, drag a couple of cubes of sugar refined and throw you in the tea. Work thoughts felt here and in many other ways, such as in how a conflict is solved went often adorns this type movies (the hero suffers from parting with a small daughter, whose mother was married to another) and otzerkalennaya in heartbreaking relationship between the characters of Michael Douglas Evangeline Lilly, which generally manages a single movement of the lower lip two octaves to convey emotions. And of course, only a person with a specific, perverse comedy of experience Paul Rudd is able to respond to the accusation “You’re an animal” with a disarming sincerity and without any coquetry to admit: “I am an insect!»
Light-hearted butterfly flutters through life heroine of” Tokyo bride »(Tokyo Fiancee) Stephen Liberski, based on the novel of the popular Belgian writer Amelie Nothomb. Authors picture instantly grasps lyrical similarities with its namesake from the famous comedy “Amelie” by Jean-Pierre Jeunet, and even in this case, the visual imagination more restrained himself psycho enthusiastic French going through life waiting lurking around every corner of joy and pleasure, recreated accurately. Starred Pauline Etienne looks, however, less temperamental rezvushkoy and mischievous than once Audrey Tautou: first even it may seem that her passion for Japan, where she was born has dropped due to family circumstances, is hiding something deeper than purely tourist consumer hedonism, and she really wanted to be at least partially understand the mysterious Japanese soul, not just the cooking secrets of local dishes. The circumstances are favorable inquisitive girl, moved to Tokyo with a huge suitcase striped blouses: in search of work in the French tutor, she meets a handsome young man (Tait Inoue) from a rich family, and their relationship soon grows into something more than a few large bills in an envelope in a couple commonplaces French phrases. “I have a Japanese lover!” – With exalted aspiration Amelie-san repeats after the first date, but bold letters here in the first place, I highlight the word. Even Ant-Man feels more sincere human interest to small octopus friends than “Tokyo bride” to her Japanese boyfriend, whom she tries to find out mostly one thing: if his father is the famous Japanese yakuza. So from a purely cognitive point of view for people interested in the differences of Japanese and French mentalities, “Tokyo bride” appears absolutely pristine in terms of lack though any informative observations. Separately want to help make seppuku authors of the film for the arrangement of the composition «Big In Japan», languid drawl executable female voice as cutesy as the final resume writer, remove psevdomudruyu morality of his voyage in Tokyo: “All that we love, it is a fiction” .
«All that we love, it becomes a yoke,” – such, for example, the slogan went swatch next to the Russian romantic comedy “Horoscope for good luck,” the name of the director which, Arman Gevorgyan anyone does not say anything superfluous, and should not. The producer in this case, is uncomplaining Executive producer unified plan, in which the main thing – a couple of unchanging constants: the presence of television in the frame of folk heroes such as Timur Batrutdinova and fabulously magical background of the story. Permanent consumers of this product is already approximately know what to expect: that somebody in his hand settle Polina Gagarina, then someone changing the identity of the bartender will mix cocktails. But this time the hero (Dmitry Endaltsev) picks up on the seat public toilet business card astrologer constituting it trouble-free horoscopes for every day that achieve success in work and happiness in his personal life that he has to share the tedious two girls. Private highly specialized interest in the “Horoscope for luck” is the rivalry of the two most sought-after beauties of modern domestic pop cinema – Svetlana Khodchenkova and Anna Chipovskaya. Start playing the daughter of an oligarch “Rosneftegaz” (Vitaly Hai), effectively splashing champagne on the road from his scooter pistachio “Lamborghini”, and the second – a decent self-made woman, who in answer to the question of the hero, as she managed to achieve all awkwardly jokes “I had to become the mistress of the governor,” and the joke leaves a feeling of something as close as possible to the reality around the film. Comparison of character with antigeroiney here comes clearly in favor of the latter: if someone of discerning viewers actress Hodchenkova suddenly seemed a bit monotonous, but now very close to Anna Chipovskaya it looks as absolutely Sarah Bernhardt, as if to resort to analogies from the world of insects as elegant butterfly, instantly outshining respectable gray mole. The role of the crafty beetle astrologer who violated their magical Pribluda peace office anthill plays Dmitry Nagiyev, who this time – carefully, spoiler! – Make a computer a dwarf, but with a gigantic erudition, allowing in a difficult moment of life was at a crossroads comfort hero: “I will answer you the words of the great poet:” Not ssy, son, everything goes “».
Lidia Maslova
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